In this book the native Venetian art scholar Stefania Mason takes the reader through a critical appraisal of the painter Vittore Carpaccio, focusing primarily on the four superb cycles of paintings he executed under commission from the city's confraternities between 1490 and 1520. What emerges from the author's insightful analysis is Carpaccio's unerring vision of the Venice of his times, deftly woven with complex allegorical allusions to create vast narrative tableaux that catered to the Venetian institutions' keen awareness of the power of imagery.
Format:
1/2 x 11 in., 224 pp., 185 c. and b/w illus., hardback
Anul apariţiei:
2000
fond special / librărie / colecţie particulară / anticariat /
